Monday, December 26, 2011

Don't you want a poem


that will just

give it to you


that will undo your

fastenings with its teeth


and


lay you

out like it was murdering you

when really it was making you live?


After the reading is done

it will take maybe twenty minutes

for you to be able to move again

just lying there with the volume

spread open


on your chest: its cover,

jacket removed, moving

in time with your breath


A poem where

afterward you need a cigarette

to escort you back to the world

outside its lines because you

came that close to forgetting

that people had needs at all


And maybe the next morning

when you come back

to its pages the passion

will have dwindled some


it will seem somehow tired

in the light, its

movements and print both

a little less bold


But when you read it

(now at your desk

with your glasses on)

it still reads you back

with a tenderness

and understanding

that was absent in

the lustful evening


and you will maybe think

it's better that way: to be

who you are in its company, to have

the poem see you hungry and wanting

but still know exactly what to say.


Sunday, December 18, 2011

For Carl Dennis

From 1974 to 2004

you wrote in some bright room

that I never saw the light of.


Thirty years. So much of my

lifespan spent with your fingers

in ink and I never read

a word of it.


Not even today in the library

when I ran my fingers down

the spine of your dust

jacket and then walked

out the door.


I know

I am ungrateful not

to give you my time.

A few odd hours in

recompense for a

whole life of

work


But it comforts me enough

to think that you're out there:

you and others like you

rubbing sleep from aging

eyes just trying to say

something. To think

that after all

of those pages,

one of you is bound

to have hit on something

that will save me, something I

just haven't got around to reading yet.

Twilit

In the street, children gather bits

of sidewalk chalk from their day

spent painting the town.


I am sitting on a friend's porch

satisfied by the early evening breeze

when they call for me to lie


on my back

in the grass.


They have ground the remnants

of their chalk in a bucket

that last week they were using

to wash neighbor's cars for money


They laugh as they spread

the dust over me, and then

leave

as I remain there

the color of the twilit sky

supine on the floor of the city.

Thursday, October 27, 2011

Boys and Girls of America

I have seen how we grow cross eyed in classrooms

and am concerned with how little most of us

grin when we kiss. Where are the ones we left

in backseats of our mother's station wagons

fumbling for the braclasp of the world?


Please touch one another more.


In exceptionally public and overcrowded places,

demonstrate that affections exist that are beyond

the scope of our control. I will not be offended

by your tactlessness. It does not matter to me

if you are unattractive. My heart has been beating

at a concerning rate since Sunday, but I believe

that the way it touches the roof of my ribcage

is affectionate so I am keeping myself on this diet

of coffee and nicotine. If I have a stroke,

please call my mother.


Ladies and gentleman, I am ill suited to the bluelight

of the television and its thick film of noise.

My yelling days have passed and now the only place

I am interested in being loud is bed. I am not embarrassed to admit

that I still have faith in poetry and its quietude,

the manner in which it compels me to stop for

a moment and admire its self-certainty

like a pretty thing in heels

whose pendulum sway somehow distills

the screeching motion of the world.


Most of us have been writing about a feeling that can

only be communicated through the touching of lips, but

after a long day I still want someone to read to me as

much as I want sex and a glass of whiskey.


Boys and girls of America, there is nothing

unstylish about being genuine. I had

two drinks before writing this because I find

the idea of your judgment terrifying. Still,

I want the best for all of us. If I had your names

in my address book, you, collectively, would be

the first on my dinner party invitation lists.

I spend most of my time alone wishing to be disarmed

by your honesty.


Thursday, October 20, 2011

To Be Titled

If you ask the man with developed opinions
about love, he will tell you that the
lipstick leftover from the Prosecco and kissing
last night is actually just clarified moonlight.

If you are on the bus staring at your knees
he might ask Are you feeling okay? and
and tell you that, for a
broken heart, the remedy is not The Cure

That you can get commiseration from your
friends and your liquor and what you need
is public radio news to quiet you down,
the sound of some permanently composed,
eminently educated
reality going shhhhh. This is going to turn out
just like it turns out.

The man with developed opinions
about love knows about the gardens
in Times Square and Hell's Kitchen
that grow your favorite flowers
but thinks they smell better plucked
from the lapels of NYU students.

He doesn't even live in New York. Sometimes
his pretensions will make you want to hit him
in the teeth and sometimes it's enough to make
you tender. He does not believe bouquets
should be limited to flowers, thinks that every page
of written word is just another apocryphal Gospel
and that really, truly, he is someone you can
count on.

If you ask the man with developed opinions about love
if you're pretty, he will write you a treatise. If you ask
about the ocean he will say, “how wonderful, to live
in such a medium that makes it so we cannot deny
our connections.”

But when you ask the man with developed opinions
about love about love he will give you a sad smile as if
you're forcing his hand. There is a train he will have
to catch, an appointment to keep. He will kiss you on
the cheek and turn away. It will be a month before
you get the letter that explains that love is everything
you say as you're in the process of saying goodbye.

Monday, October 17, 2011

Truer

Sometimes I miss the old sadnesses

that made us truer—when we were teenagers

and it was all exposed nerve endings and the

miracle of sexual desire, when a smile

from anyone could break or recompose

our hearts. Older, we are reasonable

but somehow out of breath when it comes

time for the I love yous. Purposeful with

our passions as if they had some utility

beyond the way they felt on our tongues.


Let us articulate to our lovers the electricity

they produce, the way their skin tastes to us

like the drinking of honeyed wine. And if

we manage to may it never be the stuff of self

congratulation.


Remember


we have been forgetting the days when goodness

was not something built but something found

and happened to us like a car accident leaving

our bodies bowled over on the sidewalk,

staring without sarcasm at the untouchable birds

finding their way to more tender climates.

Friday, October 14, 2011

Rain #2

When it finally rained we could barely
walk from the night spent drinking
pleasure from skin
and I thought maybe
someone was congratulating us.

The week before
there had been wildfires at the edge
of town. Refineries enveloped themselves
in plumes of rich smoke and I made guilty
faces over cigarettes dropped from car windows.

But now the Southern sky
clapped
for us and laughed
till it cried

The next night a congregation
of puddles had captured the moon
on the porch just to show
what they could do.

It made us nervous in the way
that beauty always appears as
conspiracy to modern lovers.

Wednesday, October 5, 2011

Dog

We put the dog to sleep when
she started to have seizures
that sent her fish-like onto
the tile floors.

At your parents' house in
Dallas I cried for twenty
minutes as you held me against
your dress soaking through
the thin blue cloth of your heart.

Two months later at my
grandfather's funeral
in Portland it was
all spent.

Shadow Tricks

I see your shape in crape myrtles and anything
bone thin. Thinking of you as winter comes
degrades both of us because I broke
you at the turn every season, so often
wondering whether age would transfigure
you to bloom or if you would ride the ridges
of your disaster to their termination point.

I never knew why it wasn't enough
to just share the pockets of a coat with you
standing out there in your backyard
watching the crepuscular light play
shadow tricks on the rippling lake.

That evening, you told me
that bare trees pressed
against the sky looked to you
like the dendrites in the brain

lit up
county fair style

and, yesterday, I read something
similar in a book.

But it is getting harder to separate
you from your teleology and remember
all those nights when we were the only
living things in Texas who even bothered
to smile.

Monday, October 3, 2011

Untitled in October

Whenever our lips part
ways all I want to do
is the autumn

Insomnia Poem

There is something spectacular humming
in the wall's copper wires, something more
than carbon dioxide making the bubbles
in the drinks so round. These stimulants
don't do their job anymore so it's the
adrenaline kisses that are keeping us
awake: the way your earrings through
barely open eyes look like shattered
chandeliers while I'm out on the porch
kissing your neck catching the light.

There is a moment every night
when someone looks up from their drink,
saying, "This can't be real life, can it?”
and I always think: “Man, real life must
have been miserable.”

Saturday, October 1, 2011

Clutter

You were careful and there were bees
somewhere buzzing, murmuring their
truths from a corner of the room
to fill up my ears

or was that just
your breath
in its sheer animation?

There is moonlight white as your skin
when you're grinning at nothing in particular a smile
straight off silver celluloid, giving you away.

And if you feel like looking
you can keep anything of value
you might find in between
the clutter and the vacancy
of my heart.

Thursday, September 29, 2011

Season Poem

I wait for you awhile in
coming autumn smoking
a remaining third or half a cigarette
underneath amber streetlamp flowers
blooming out of tune around me.
I have been quitting in fragments.

With secrets in my pockets
no one would be interested in anyhow
and my heart dressed in a three piece suit
for you

my intentions pop corks
of champagne bottles loud
enough to wake the neighbors
Either too crass
or too subtle and I can never
tell the difference
between the accumulation
and dissipation of stars.

But either way, tonight they are
suspended in anticipation
of whose bed I end up in.

Either way, their light
may as well be you

blushing.

Bird

Now that I am incapable of telling stories that do anything but rebreak your heart
I sit inside and stitch together umbrellas from the slips of women who tell me that
they love me but can't have anything to do with me.

A new poignancy will arrive tomorrow on the back of an unnamed bird.
It will wear its hair blond . Convex curves
of thigh and hip built to compliment
the empty arches of my hands.

Meanwhile
outside in the rain
the whole world is struggling
to keep their cigarettes dry.

Sink Poem

You brush your teeth
even though you don't want to
after kissing her—knowing you're
too old for the perfection of a girl
to keep you from routine necessities.
And, spitting in the basin, you notice
for the first time that beneath the froth
of pink fluoride there is an inscription
on the metal ring around the stopper that
reads “Chicago Sink Company.” It makes you
smile like some idiot—lost in pleasure
at that simple precision.

Imagine:
how very slender
how very graceful
the tools and the hands
that engraved it.

Sunday, September 25, 2011

Object

The waking up to television
static, to the record left on.
Since the music ran out
at four the needle has
circled black center—for once
allowed to sing of
its own inanimate pleasures.

The waking up same-clothed
but a stranger in the sunlight.

Remembering
those two who kissed on your
porch, glasses in hand.
How the Night's tense
shoulders relaxed and turned
buttery.

She was on
their side the
whole time
Vicariously present
in their new
skin.

Blushing for them:
the hues of her helium
and nitrogen
tempering the the vast
mascara blackness of
her complexion because
it has been so long since
she was young enough
to be loved.

Saturday, August 20, 2011

Panama #3

When I almost died
in those waves I crawled
out of the ocean like it was
the first time—something evolved
and nameless. Squinting in the
unfiltered sun, coughing up seawater
on to the sand in the shape of your
face or of God's, I sat on the dunes
and wrote you a postcard. It may have
been a concussion. I didn't want to sleep.

Friday, August 19, 2011

Panama #2

I am
reminded of you while
reading Jack Gilbert, skating
by bus through teeming
mountains. The volume is
yours: one of the innumerable
borrowed and few I have
yet to destroy. There
are depressions though
on the sheen of
the front cover. Evidence
of a shuddering carelessness
endemic to me, my propensity
to set things down
so hard without
even looking.

When you
still loved me I would lie
in your bed while you
got ready to go out drinking, reading
poems one at a time. I wanted
to feel the weight of those words
on my tongue, dissolving
like hard candies to ropes
of sucrose that would thread
between my teeth. I never
understood why you would prefer
films to photographs
when isn't it always motion that turns
everything to shit?

Now I see
your perspective. Collections
bring cohesion, you were always
the most beautiful while dancing
and without narrative
what remains is a vase
without flowers--that sort of felt
idealism you never
believed in anyhow.

But darling, the same way
I pray it is not a sin to
read while so much rushes
past the windows, I pray
you were wrong about certain things.

That Panama is nothing
like Belize. That I did
love you even in the moment
when my hands so deftly
pulled us apart. That I will
not shatter the next
beautiful thing
I touch, and how
maybe there is
a pair of kid gloves
hidden somewhere
in your deepest
chest of drawers.

Panama #1

We set on the mountain
with the sun in pursuit
of new ways of living.

A stupid crush
on a pretty hostel worker who
missed her friends in New York
City, thinking there
must be a word for this--if not
in Spanish then in another
tongue--attraction bound
to momentum like dancing
while constantly picking up
speed.

And will
the wild rivers wash my body
clean? May I set new
clothes ablaze in the equatorial
sunset and drink coffee from between
the shoulderblades of the mountain
like taking the very earth
into my mouth? What little
difference it will make when
the toughest of my new
skin sloughs off crossing
the borders to home.

As in
the moments spent staring
across tables at one another.
Saying: "Is this more
or less real than what
we left behind?"
Not knowing if the answer
lay in the slow blinking
of eyes exhausted
by the raw and
the novel or in the thick
dreamless sleep
that came after.


Thursday, August 4, 2011

To Declare

we fish
for cherries
with white bic lighters
clink glasses on stolen
rooftops and who really
can remember the names
of all those they have loved?
Our parents tried to do right
by us while living in the shadow
of their unbound youth
and in exchange we grow
bags under our eyes
like rings around rings
inside tree trunks, meaning
to declare:
“we will only add
to your history.”

Friday, July 15, 2011

A Month

Dallas, Texas: I hate your
mirrored buildings. I have
broken the hearts of all
of your women and they, in turn,
have broken mine. The ones
you cultivated inside your blooming
desolate, white-washed suburbs
and was it there you taught them
how to file their teeth? that you
taught them how to look so good
in their underwear? They kiss
like apparitions on their
satin bedsheets. They unfasten
the clasps on their bras for you
so you don't stretch out the material.
Dallas, Texas: your borders will never
stop growing and what's worse
is that I will never stop loving your girls. Never
pull my head from their rivers to breathe.
I will stand in their rainstorms
with my head to the sky.

Houston, Texas: I spent six years
of my youth in your arms and all
I remember is your thunderstorms,
the greensky tornado warnings and
the toads who would exit your bayous
to have their ribs flattened by
luxury vehicles across the blackest of
asphalt.

Austin, Texas: I have sat in your
bars and hidden from your beautiful women
behind fistfuls of cigarettes and tumblers
of whiskey. I know that I have been pathetic, but
Please do not scorn me. I will flourish
inside of your streetlamps. Shower me
in the green light of your traffic signals.
I promise, I will redeem myself. Give me a month.

Wednesday, July 13, 2011

Untitled excerpt three

Continued from below. If this is your first time reading, you should probably start on the first of the last three untitled posts (demarcated by a I.). But this should also make sense on its own, more or less.

III.

Drunk by the point that Jen found me in an empty hallway leaning against a closet door, still on the whiskey, more gulping and less sipping now. Why are you hiding from me? extending a hand down, Bakelite bracelets sliding down her thin, thin wrist, as if I just needed a lift up and I would be back at it. Hiding, no, a little bit of a headache. Well, she's in a bit of a pinch. There are two boys here and maybe she's been with both of them recently, a few times, nothing serious, but, well, first of all, they don't know about each other, obviously. Me, an echo: Obviously. And, to make matters worse, let's say they'd both been calling themselves her boyfriend, even though everyone knows she doesn't do boyfriends, and maybe, oh, just maybe there's a chance that she hasn't had the balls--me, snorting, You have been ball-less for as long as I can remember, but the sentence is far too long for a serviceable quip and she rolls on—hasn't had the balls to correct them. Who are they? One bearded, one blond. Go with the beard, I say, but it's an icy stare and I recant. A pinch, yes, sure, but how am I supposed to help? Just come with her, puhleeze, and she reached out her clattering, retroclad arm again. I begrudgingly met her fingertips, and pushed myself up, precariously, against the door. Much more swayed by the liquor than I thought. The floors may as well have belonged to an oceanliner, but I found my footing and let her guide me, her finger tips still joined to mine with an ethereal looseness, remembering but then forgetting to ask where were going. There was nothing to read into moments like these: no flint sparking between the surfaces of our hands, not even during these small instances of synchronization.

We had been together once, nearly two years ago. A shared handle in the garage apartment she was living in at the time, a handful of details that became elusive in the hungover morning. What I remember is the way her neck tasted. Perfume from a handcrafted glass bottle that I admired in her immaculate bathroom, a perfect, thin film of sweat, the gin evaporating through her pores. And how skinny she was, the slightness of her body uncanny. Not unhealthy, not a drug problem, just the way she had always been, endowed with a metabolism faster than God's. I was too careful with her, made self-conscious by my drunken clumsiness, terrified I would punch right through her eggshell frame, those prominent ribs gleaming white in the mottled starlight that crept through the open window. Always silent too. She never made a show of her pleasure, never opened her mouth to give voice to the sensations of her body. Couldn't tip her hand like that, but she showed it to you— she let it be clear through the tremors, the raking fingernails. Those were the only indications Jen could bear to give that she was, in fact, vulnerable: that she could be affected and, even more, that you might be the thing to affect her. Or maybe those were just the select moments in which she couldn't help but reveal herself in such a way, where a display of her humanity was inevitable, where, as her eyes glazed over in orgasm, she was forced to succumb to the idea that her dominion over the world around her was contingent. But, even so, Jen wasn't going to stay—I knew it before the undoing of clasps and buttons and I knew it in the smothering morning light that woke us. She had always been a proximity girl, more at home flitting in the borders of every boy's vision, permanently aloof but still charitable with her long smiles and genial kisses. I couldn't be resentful of the way she spread through the world like wisps of smoke filling evening air. In moments like these, I allowed myself to be called upon, to be steered down kid-crowded hallways into a room filled with pot smoke where these two new lovers sat (oh, God) side by side, blitzed, and watched her enter like they were encountering the numinous. She gripped my arm before we sat down in the circle, hard, as if begging me to anchor her, as if I was the thing only that could keep her from slipping away entirely.

Monday, July 11, 2011

Next section of below untitled work

If you haven't read the section below, this won't make much sense.

II.
At the party, I wasn't talking to anybody and Jen was talking to everybody. I stood in the kitchen against the fridge, sipping whiskey purloined from the liquor cabinet in the master bedroom—a bottle worth more than my bank account. No, that was only true pre-inheritance; something I kept forgetting. Remembering it was nausea. Too much to think about, that everything was now reduced to a string of digits on an ATM receipt. Shake it off, bite back the bile—drink the drink. There was no discussion about the morning's events in the sweaty, overpopulated room. The news was the only trace of it, playing on silent when we arrived but turned off an hour in by someone or someone's brother. He put on Stop Making Sense on DVD. Still just ambient noise underneath the throb of the DJ's bass: a shirtless 22 year old streaked with the tattoos of an unfinished liberal arts education. He set up in the living room to rattle the antique furniture, add to the timbre. Just unbelievably bad. Doing long lines of coke off empty LP sleeves in front of everybody, conjuring sickening arrhythmic bursts from the turntables as he mashed Wu-Tang with Madonna. I watched this while Jen whispered in the ear of some guy who might have been her boyfriend: the whole terrible display set against the blue-light background of David Byrne up on the flatscreen, putting his boombox down on that sprawling Hollywood stage. In his billowing gray flannel suit he craned his avian neck to the beat, and I swear, DJ kid, that there was disdain for you laced up in the way he moved. I spent a half an hour crouched in front of the entertainment center replaying “Naive Melody” with my back to everyone else. It didn't matter that I couldn't hear it—the stage swathed in shadows, the switch pulled on that tall bedroom lamp. It was a new Genesis as everything melted into affirmation in the milky yellow light that seeped through the shade. That strange, candle-lit intimacy directed out at the thousands in the crowd (to even more, now, through the membrane of this celluloid reproduction), budded up the skin on my arms with the power it manage to carry, turned all my hair on end. And during the bubbling synth interlude when he began to dance with the lamp, now transfigured into a beautiful woman with model's proportions—towering, rail thin--the motion of his body became alien and hypnotic, something between ballroom and a bull fight, gestures that would be the most graceful thing you laid eyes on in a world with different physics and all I could think the whole time was What could it possible mean to be genuine if not this?

Tuesday, May 31, 2011

Untitled Excerpt # A Billion

The first section of a larger project.

I.
It was a Sunday morning in June with sunlight everywhere—so hot that the trees were shedding their leaves as if it were autumn when the colors of dawn were just beginning to get bleached out by stronger light. It was too early for how hot it was and too early for the boys standing out on the corner. Twenty years old or maybe nineteen: one yawning with his big hand white and uncalloused, barely covering his open mouth while a second hit invisible dirt off his shoes with a baseball bat in a lazy updown motion. There were three others. Younger, they looked at the ground ashamed of something, sucking at their cigarettes. Their faces were soft and unscarred but with bags under the eyes, an unnatural state of purple, plums left to scorch in the heat, the product of fists instead of sleepless nights, so pronounced that you could make them out later on in the broadcasts that cycled for weeks in 24-hour cafes and people's homes. None of them spoke. They seemed to be suspended apart from each other while, at the same time, held in a shared state of anticipation, carrying their bodies like fathers-to-be up in the waiting lobbies of hospitals praying for life and not for death—for delivery. Somewhere in the surrounding neighborhood the noise of an engine became audible and grew, twisting around the professionally stained fences and through the textures of manicured bright green lawns. Throats tightened and cigarettes were put out. Two of the younger boys turned toward the bat-bearer, perhaps looking for the word but any command on his part was unnecessary. The youngest was already moving, performing what was rehearsed and walking out into the street, resolute on tiptoes, the stretch of asphalt that met his shoes transfigured to a tightrope. This boy, he was skinny and handsome with the kinetic energy of youth, about to blossom into infamy and light up the nerve systems of the entire country flaring into every seamless screen and monitor. And while he walked out into the fresh pitch black of that road, I was half-asleep, alone in bed, waiting to wake up to the radio broadcast accounts of what had taken place. I was dreaming of a girl I met the week before at a party, riding a powder blue roller coaster in a tangerine colored dress that billowed around her body with the wind. She twirled and the hems of that dress spun in rising circles at the peak of their climb blessing me with white flashes of lace trim underwear as she danced in a plastic safety harness that would never hold her, not ever. I was twenty-one that morning, waking up in Texas for the first time in three years without expectation, emerging from a deep and ignorant sleep the color of strong coffee.

When my clock radio turned on, the news reports told me that the officer who pulled onto the block that morning was 36 and a devoted father to two blue eyed children, one of whom had recently spoken her first words. It happened on Sycamore Avenue, an individual road in an entire neighborhood named after trees. His name, Patrick Sharp, was repeated over and over again as if he were Kennedy and it had always been a symbol for something greater, something so resonantly American. In an hour, after I showered and dressed, the television screens were playing back footage scavenged from the mounted camera on the officer's dash. In the soberest voices, the anchors advised that all of the parents who were watching ask their children to leave the room. There was a brief, ceremonious pause as they waited for families to sweep their children out of dens across the nation, something that must have only happened on the rarest occasions, perhaps more often during those first few days of broadcasts but less and less after that. And then the networks would show it: that young, beautiful boy, first just an indiscernible shape in the road but the image sharpening as the car drew closer, his arms splayed across the concrete and the boney architecture of his chest heaving up and down and up and down and up and down. The sounds of breaks screeching, the car thrown into park, a door kicked open so forcefully that it threatened to ricochet closed again. Oh how blond that officer was as he ran to assist the kid, the light catching in his hair illuminating only the sparest traces of service earned gray, how brave. With every new screening of the grainy footage the whole country would hold their breath as he bent down and touched the boy's shoulder. The reporter's would snarl in whispering voices—can you believe what an actor—the collective viewing population biting lips and clenching jaws, teeth on teeth, as the other kids crept into the frame, the shadows they cast across the officer's urgent crouching body like the wingspan of great, predatory birds. The tension would snap. Not even a flicker of hesitation before the bat fell, perfect and heavy in the depression between his shoulders, the sound like a branch giving under its own weight and his body pitching to the earth. A rustle of motion. The boys flipping the unconscious body onto its back and extracting the pistol from its holster with hands too soft for such stern metal. The oldest with his giant's yawn turned and walked, practically moseyed up to the door of the car because it had been so easy. His face was covered by a ski-mask now and the sweat formed bright wet rings around his eyes that glimmered in the sun. He ascended into the car through the open door and spoke into the officer's two-way radio, across every police channel, the simplest of phrases: nothing rehearsed or oratorical, more mumble than manifesto but enough to change everything, to take what would have been an anomalous act of violence and turn it into a declaration of war.

I'm sorry, but ladies and gentleman, you are no longer safe in your homes.

They always stopped the tape before the kids shot him out in the street. In the kitchen, I turned off the television set on the Teflon counter top and finished putting my parents' monogrammed coffee mugs into a brown cardboard box. I had packed away most of their other things by then: the golf clubs, the clothes, in and out of dry cleaning bags, the books and all the rest of the shit that still boasted tool-marks of their ownership. With the exception of my father's beat up recliner, I kept the furniture; the beds and the dressers, the armoires and the bureaus. All those shining, chrome kitchen appliances. It felt okay to hang on to some. The one-size-fits-all variety that never really belonged to them anyway—or did, maybe, but only in the same capacity that they belonged to everyone. I got rid of the rest of it. Their possessions were a paradox. They were tangible manifestations of absence like piles of dirt left behind when you dig a hole or a grave. I handled that dirt for two weeks. I carried it into Salvation Armies, second-hand stores, post offices. I sold it, shipped it away, tried to wash my skin clean of it. Now, the mugs in this box were the last of my parents' material survivors. These would be thrown away I was neither interested in, nor capable of searching out a market for “Erin and Matthew,” E&M commemorative dishware. There was something decidedly morbid about that anyway.

I carried the box through the garage and out to the side yard where the air had the stillness of held breath. This was the same city that housed the boys and, until mere hours ago, that officer. They lived in a different neighborhood, farther north on the other side of town, but it may have well been the same, existing under the same sprawling Texas sky. What a strange place for violence, the South, but at the same time fitting. It was so difficult to feel relevant against the backdrop of so much rough country that couldn't even begin to care for you—cultivated now into cities, of course, but nothing could be done to get rid of that timbre to the land, the sheer heaviness of the sun. Here, the relationship of individuals to their environment was analogous to that of every failed marriage. One part subsistence, one part adversarial--toxic but passionately so. It was the story behind every suburb built, every band formed, every attempt to forge some great love or perfect family. As if to say, make something human matter, here, where nothing else does. I let the mugs tumble one at a time into the open mouth of one of the plastic trash bins but not one of them broke. Silent, porcelain bodies resting on a small bed of newspaper that one of my parents had been too lazy to recycle weeks earlier. I thought of the boy with his face pressed into the dimpled texture of the asphalt. The motion of the bat arcing against blue sky. A home run, the perfect jump shot. I imagined how his body might look from the inside, reacting to that incursion. The cratering of bone and the fractures spiderwebbing outward, a pebble jettisoned from the underside of a tire into the glass of a windshield, an earthquake producing the fault lines instead of the other way around. He was sanctified when his body was extinguished, on that suburban tarmac. And was it the same for my parents? Rolled in so many tons of Japanese steel from black concrete into limestone white and spring green, into the intermediary grave of that road-side embankment. They were not martyrs, but it may have absolved them, in the way that, if there is no God, death absolves us all to the extent that it destroys us. Would they have rushed into the road like that, for some nameless neighborhood boy? Or ran for me the same way, speed churned out from a mixture of love and stupid heroism. Of course. Saying it out loud, in their now overgrown side yard, looking down at those mugs who might have been, like me, their children. It was the smallest courtesy I could extend to the dead.

I put the empty box in after the cups and fished through my pockets for cigarettes. I closed my eyes. The sun illuminated the blood in my eyelids and that deep red brightened as I took in the smoke. I was crying. Not a tempest, nothing hysteric, but a gentle trembling and shining round drops dragging down the patchy stubble I had let populate my cheeks. I gripped the side of the can and opened my eyes, peering down at its new occupants, trying to press down whatever was rising up, trying—and Jen's beemer slid up into the driveway on skates, its engine murmuring and its 70's red paint job coming through the mottled, wooden geometry of the decaying trellis fence.

Jen was a dynamo, she was lit-up. A hundred boys in tow because, well, what else did you expect just looking at her? The way she checked her lipstick in the rear-view before she saw me, offered a small smile, a languid wave as if coming through the membrane of a dream. I went back through the garage to open the front door for her.
Coming through the door, taking off a pair of loved black heels and putting them on the rack, asking Had I heard about what happened? I had, of course, but wasn't sure how to react to it. It didn't seem real yet. It felt real enough to her, though, even if she wasn't quite sure why. The news hadn't surprised her, she said, but instead came across like the fulfillment of an eventuality. How so, how did she mean? She didn't know, couldn't put a finger on it—moving her hands to illustrate this, tapping at something in the air with her blue nail polish. But did I have any coffee? That was something she did know, that she needed coffee. She hadn't slept very well the night before.

We moved to the kitchen and she sat on the counter and watched me as I ground up the beans and put them on to brew. You should come out tonight, she says, and I ask where to? There's a party at some fancy house up South. A plush two story place—mahogany banisters, hardwood floors, private library. Jeremy's parents' place. Remember him? I'm not sure that I do, but Jen says he went to high school with us, that people used to think they were related being the only two gingers in the whole school. Ring any bells? It didn't. But, well, anyway he lives downtown and works at some bike shop now. His parents are on vacation, taking a cruise, and they didn't invite him, so he's having it out at their place. Sort of a spite party, she thinks. Hmm. And besides, wouldn't be interesting to see how people are reacting to the news? And that girl you met the other night, remember, the brunette with the eyes, the sultry smoldering one, Jeremy invited her too. Look at that. Even mentioning her gets you flushed. Come on, please? You've been such a homebody lately.

I poured out our coffee into wine glasses. There were no more mugs.

Friday, April 22, 2011

Rusting

and it was just a buzzing. Maybe smoke but no fire
when the house fell down, and it was all
because you were so cruel to me my dear.
It rusted out the hinges--we had a whole house
built from hinges, the way it could open
and shut at every corner--and when the bolts
split apart from their fastenings that was its own way of telling
us that oxidation is really a loss and not a gain,
no matter how much you marvel at the beautiful
red brown color of the precipitant. The same way
that running mascara on a crying girl can look like
lines taken from a favorite charcoal drawing, or
that I was always at my most articulate when
almost of breath, yelling. Maybe that can help explain why,
when it was over, I didn't drink whiskey but, instead,
sat in the kitchen drinking tall glasses of ice water
and looking and wondering how so much sun can
fit on a windowsill without spilling.

Untitled #?

If poetry still has something to say, it will say your name
It will say it how I said it on long walks,like you said mine
in between kisses and drags off of my cigarette
on nights when your white teeth shown in the streetlamps
and, my God, will you look at the way they stand up and clap?

Wednesday, March 2, 2011

Gloss

In this photograph I have of you
you're licking your finger, preparing
to turn the page of a magazine.

Except all of those glossy sheets are
outside of the frame, so
the whole thing becomes
an immortal monument, a
spotlight on a moment I
was thinking the dirtiest
things about you.

You were wearing that sleeveless dress,
darling,
what were you trying to do to me?

Making me vibrate inside
of my skin inside of
spacetime so I had to
go into the kitchen
and make myself a drink
just to slow the evening down.

I know that,when I remember
you, I will remember
your lips
and your fingers.

I will remember the way
the spades of your fingernails
would rake over the ghostly,chalk
fields of my skin. But mostly,
I will remember how
you would fall asleep,so suddenly,
and I would be left talking to myself
for five,
ten,
minutes without evening realizing.

Wow

To say,
"please,
not-God,
but the thing we pray to
anyway, never let us stop
being gentle.

To say, never
make it our turn
to become the monsters
we left on the other side
of the river.

With kissed-on lips,
to say, "oh
how strange this is"

how strange to watch
someone new turn into music
under record needle fingers, to have
the limits of this world slid off
of your back like the straps
of a dress,

to have hands
so suddenly
full

oh
how strange it is

to say,
"wow"

because
really living
and really dying
both just feel like exhaling forever